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After Russia: The First Notebook by Marina Tsvetaeva (trans. Christopher Whyte) Carcanet How often is it that

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Description

How often is it that a poet with the name recognition factor and critical standing of Salena Godden publishes their frst collection 20 years into their career

marks left by lovers

we explore the run-out grooves of a rapidly vanishing edgeland that may soon go under the tarmac of the proposed third runway at Heathrow

with a sharp turn of phrase

Blood stone canyon

After Russia: The First Notebook by Marina Tsvetaeva (trans. Christopher Whyte) Carcanet How often is it thatAfter Russia (1928) is considered to mark the high point in Marina Tsvetaevas output of shorter, lyrical poems. Tsvetaeva told Boris Pasternak that all that mattered in the book was its anguish. Breathtaking technical mastery and experimentation are underpinned by suicidal thoughts, a sense of exclusion from the circle of human love and companionship, and an increasing alienation from life itself. The sequence Trees evokes the hills and woods of

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